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The Princes in the Tower

Forgotten Mysteries · 1483

Archived on

Region

United Kingdom

Associated With

Edward V - elder prince; Richard of Shrewsbury - younger prince

Defining Feature

The unresolved disappearance of Edward V and Richard, Duke of York from public view

Status

Unresolved - the brothers’ fate and the identity of the 1674 remains are unconfirmed

Overview

Edward V and his younger brother disappeared from public view in 1483 while staying in the Tower of London.

After their father Edward IV died, the brothers were placed in the Tower, then a royal residence used for coronation preparations. Their uncle took the crown as Richard III amid a contested succession.

The boys became known as the Princes in the Tower. Their fate remains unresolved, despite later accounts, supposed remains and centuries of interpretation. Paintings and drama gave the story familiar images without supplying a conclusive ending.

Why It Mattered

An unresolved disappearance became part of how a royal succession was remembered. Later paintings and stories gave the brothers recognisable faces and imagined scenes of vulnerability or betrayal. Those works helped sustain the princes’ place in public memory, even though their emotional force could not establish what happened to them.

Last Recorded Presence

  • Historic Royal Palaces cites a Great Chronicle entry describing the boys playing in the Tower garden on 16/06/1483 as their last recorded sighting in its account.
  • Dominic Mancini wrote an account in 12/1483; Historic Royal Palaces identifies his work and the Great Chronicle as important documentary evidence.
  • Placement in the Tower was not, by itself, proof of a plan to harm them: it also functioned as a royal residence and coronation setting.

Succession and Resistance

  • Richard, Duke of Gloucester, served as Lord Protector before being crowned Richard III on 06/07/1483.
  • The 1484 statute Titulus Regius ratified Richard III’s title and advanced the political claim that Edward IV’s children were illegitimate; it does not establish the brothers’ fate.
  • The National Archives records resistance to Edward V’s displacement, including a 1483 plot intended to free the brothers.

Remains and Later Memory

  • Children’s remains found at the Tower in 1674 were reburied at Westminster Abbey in 1678, in an urn designed by Sir Christopher Wren and made by Joshua Marshall.
  • The remains were examined in 1933 but not conclusively identified; Westminster Abbey describes them as assumed or supposed to be Edward V and Richard.
  • The urn remains in the north aisle of Henry VII’s Chapel. Millais’s 1878 painting is a later artistic interpretation, not a witnessed reconstruction.
Sources & Records

Gallery

Vertical Victorian-style painting of two blond boys in black doublets and hose standing close together in a dim stone interior; the smaller boy touches the older boy’s shoulder, and the older boy holds a black cap.
Source
Credit

John Everett Millais, 1878; Royal Holloway collection / Wikimedia Commons

Licence

Public domain

The source records this image as public domain. No copyright licence is required for the photograph; other rights may apply.

Caption

Millais painted the princes in 1878, almost four centuries after their disappearance. Their vulnerability became part of the story’s visual afterlife.

Painting of two boys in black clothing seated on a curtained bed, one holding an open book, with a small white-and-brown dog standing beside the bed.
Source
Credit

Art UK

Licence

Historical Ephemera

Displayed for commentary, criticism, research and historical documentation where permitted by applicable law. No permission for reuse is granted.

Caption

The boys’ vulnerability became central to later portrayals. Such intimate scenes shaped popular memory without resolving their fate.

Close view of a pale carved stone urn on a stepped base, with an inset plaque bearing multiple lines of Latin text against a dark background.
Source
Credit

Elizabeth St.John | Writing Time - Substack

Licence

Historical Ephemera

Displayed for commentary, criticism, research and historical documentation where permitted by applicable law. No permission for reuse is granted.

Caption

The memorial gives supposed remains a place in the royal story. The identity of the bones associated with the princes remains unresolved.